Raqib Shaw: Ballads of East and West June 9–September 2, 2024
Raqib Shaw, Ode to the Country Without a Post Office, 2019–20, acrylic liner and enamel on birchwood, private collection. © Raqib Shaw / Photo © White Cube (Ollie Hammick), courtesy of the artist and White Cube
Raqib Shaw, Last Rites of the Artist’s Ego at Shankryacharya Temple (after Ludovico Mazzolino), 2015–16, acrylic liner and enamel on birchwood, private collection. © Raqib Shaw / Photo © White Cube (Ben Westoby), courtesy of the artist and White Cube
Raqib Shaw, The Retrospective, 2002–22, 2015–22, acrylic liner, enamel, and rhinestones on aluminum, private collection, London. © Raqib Shaw / Photo © White Cube (Todd-White Art Photography), courtesy of the artist and White Cube
“It’s only in person . . . that you see how simply astonishing Shaw’s technique is.” —Washington Post
In his luminous paintings, Raqib Shaw blends Eastern and Western influences to create mesmerizing works of art that merge fable, history, and autobiography.
Born in India in 1974, Shaw spent most of his childhood in the Valley of Kashmir—a beautiful yet long-disputed territory marked by turmoil. On a trip to London in 1993, he fell in love with the Italian and Northern Renaissance paintings at the National Gallery. He eventually moved to London in 1988 to study art and has lived there ever since.
Shaw’s exquisitely rendered paintings seamlessly combine references to Western and Asian art histories, as well as sacred themes. Reflecting these intertwined traditions, the exhibition’s title—Raqib Shaw: Ballads of East and West—is taken from the 1889 Rudyard Kipling poem “The Ballad of East and West,” which honors the friendship shared by a British colonial officer and an Afghan warrior.
The artist is the protagonist throughout the exhibition as he views his paintings as visual diaries, a way of recording, processing, and even escaping from what is happening in his own life and in the world around him. “It’s my way of dealing with this world, it’s my way of escaping into another world,” Shaw explained. “I am a spectator, yet at the same time, I am a player.”
He paints with porcupine quills and fine needles to render the precise details of delicate flowers or distant mountains, which are outlined in embossed gold. Jewels, glitter, and semiprecious stones further enhance the opulence of the scenes, beguiling viewers through the iridescent shimmer of the surfaces, even as they sense the sadness that lurks beneath the glamour. Upon closer examination, conflict is present in almost every painting, evoking Kashmir’s turbulent history.
The Houston installation of this nationally touring exhibition also introduces two of the artist’s newest tapestries. Addressing the global threat posed by climate change, Shaw deftly weaves together not only East and West, but also beauty and conflict, hope and longing.
► Publication
The illustrated exhibition catalogue is available through the MFA Shop (713.639.7360) and the Museum’s Hirsch Library (713.639.7325).
Raqib Shaw: Ballads of East and West / June 9–September 2, 2024
This exhibition is organized by the Frist Art Museum, Nashville, and the Isabella Stewart Gardner Museum, Boston.
In Houston, generous support is provided by:
contemporary@mfah
Pace Gallery
White Cube